In literature, the intentional use of Lacunas often produces a work that remains unfinished by the author, allowing for the work to finish itself. Similarly, this process that champions the unknown can be found throughout Ray’s exhibition. From collecting ephemera across the desert, to utilizing factors like air, abstraction, and ritual to oscillate aluminum forms between presence and absence, the artworks in Lacuna reflect a willingness to embrace uncertainty. Ray’s sculptures seize this ambiguity, endlessly shifting between specificity and mystery.