Alison O’Daniel Biography
Combining film, performance, sculpture, and installation, Alison Daniel’s work is structured as a call-and-response between mediums. Cinema, performance, sound-dampening textiles, sculptures, mobiles, and large-scale installations foreground the deaf and hard of hearing experience through process, collaboration, and material. She collaborates with composers and musicians in order to highlight the loss or re-creation of information as it passes through various channels, and to build a visual, aural, and haptic vocabulary as a means to tell stories inspired by events that are both historic and quotidian.
O’Daniel has presented solo exhibitions at Art In General, New York; Samuel Freeman Gallery, Los Angeles; Centre d’Art Contemporain Passerelle, Brest, France and performances at the Hammer Museum, Knockdown Center, and Art Los Angeles Contemporary. Writing on her work has appeared in The New York Times, Artforum, Los Angeles Times, and ArtReview. She has received grants from the Rema Hort Mann Foundation, Center for Cultural Innovation, Art Matters, Franklin Furnace Fund, and California Community Foundation and has attended residencies at the Wexner Center Film/Video Studio Program, the Fine Arts Work Center in Provincetown, and the Skowhegan School of Painting and Sculpture. O’Daniel received a BFA in Fibers and Material Studies from the Cleveland Institute of Art, a Post-graduate Diploma of Fine Art from Goldsmiths College, University of London, and a MFA in Studio Art from UC Irvine, CA. Her work is currently included in Made in LA 2018 at the Hammer Museum (Los Angeles) and The Infinite Ear at the Garage Contemporary Art Museum (Moscow).