Ambika P3, 35 Marylebone Rd,
London, NW1 5LS
Thursday | VIP Preview 12-6, Opening Reception 6-10
Friday – Saturday | 12-8
Sunday | 12–6
Favoring malleable structures and expressive color palettes, Wheat’s tactile paintings merge process and narrative to ponder individual and collective human experience as seen through various moments in art history. Drawing on rich traditions from Egyptian relief sculptures to Modernist painting, Wheat’s textural art objects destabilize material boundaries and elevate quotidian life through scale and movement. Borrowing from the logic of medieval tapestries hung as symbols of authority, Wheat allows acrylic paint to ooze through fine wire mesh causing figures to emerge and dance upon lush, fiber-like surfaces that coalesce into heroic history paintings.
Born in Oklahoma City, the artist’s understanding of institutional art centered on Native American traditions of art production, focusing special attention on the connection between human and animal behavior respective to their environment. Rather than making quaint the lives of those who struggle, Wheat dignifies her subjects and decidedly refutes the gender specific representations found in various cultures through history by swapping women into the traditional roles of men. Her figurative scenes aggrandize the invisible work of women by focusing on both their experience and their craft.
Wheat’s practice deftly flattens hierarchies between the fine and domestic arts and crafts, embracing the intuition of felt experience as rival to conventional reason and logic. Inserting swaths of gold leaf and jeweled embellishments, Wheat meticulously makes the mundane regal and monumental.
Summer Wheat (b. 1977, Oklahoma City, OK) received an MFA from Savannah College of Art and Design and a BA from University of Central Oklahoma. Recent solo exhibitions include the Henry Art Gallery, University of Washington, Seattle (2017); Braverman Gallery, Tel Aviv, Israel (2017); and Oklahoma Contemporary, Oklahoma City (2016). Her work has been featured in recent museum exhibitions, including ICA Collection: Expanding the Field of Painting, Institute of Contemporary Art, Boston (2013–14); Paint Things: Beyond the Stretcher, deCordova Museum and Sculpture Park, Lincoln, MA (2013); and Paradox Maintenance Technicians: A Comprehensive Manual to Contemporary Painting from Los Angeles and Beyond, Torrance Art Museum, Torrance, CA (2013). She is the recipient of the Artadia Prize given to one artist at 2016 NADA New York.